Tuesday, May 19, 2009

AAP Invites Publishers and Copyright Owners to Mtg re: Google Book Search Library Project settlement

Forwarded from The American Association of Publishers:

5/19/2009

Dear Heads of House,

As many of you have read in recent weeks, the courts have decided to delay approval of the Google Books Settlement by four months. With that delay, there’s opportunity.

Next week, there will be a unique opportunity for all book publishers and copyright owners to discuss, ask questions, and learn about the business aspects to the agreement. The perfect forum for that informational exchange on the benefits of the agreement is at the upcoming BookExpo America.

The Association of American Publishers and Google cordially invite publishers to talk next week with those who were closely involved with negotiations for the Google Book Search Library Project settlement at BEA. John Sargent, (CEO, Macmillan), Richard Sarnoff (Co-Chairman, Bertelsmann, Inc.), and other AAP executives will discuss the business opportunities and other key issues resolved by the settlement. This is a non-legal conversation, moderated by Michael Cader of Publishers Lunch, for those publishers interested in direct access to those who represented them during the negotiations. The meeting will be held in Friday, May 29th Room #1E16 from 9:30 – 10:30 am at the Jacob Javits Center.

The public announcement late last year stated that the agreement “promises to benefit readers and researchers, and enhance the ability of authors and publisher to distribute their content in digital form, by significantly expanding online access to works through Google Book Search, an ambitious effort to make millions of books searchable via the web. The agreement acknowledges the rights and interest of copyright owners, provides an efficient means for them to control how their intellectual property is accessed online and enables them to receive compensation for online access to their works.”

It is our pleasure to provide you with a forum on the benefits of the Google Book Search Library for you as copyright owners.

All AAP members and their staff are invited to attend, so please feel free to forward my invitation appropriately.

Please RSVP to Tina Jordan at tjordan@publishers.org. A BEA convention floor badge will not be necessary for AAP members to attend this meeting.

Looking forward to seeing you.

Best,
Tom Allen

Friday, May 08, 2009

Judge Delays Google Book Settlement Hearing

4-29-09
The federal court overseeing Google Inc.'s settlement over its book-scanning program is giving authors four more months to opt out of the deal and review its potential pitfalls.

A judge had set a June 2009 date for a final settlement and hearing to decide if the deal is fair, reasonable and adequate. Tuesday's extension pushes back the final hearing on the settlement's approval to Oct. 7.


For the full story, see the CBS News website.

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Sunday, February 01, 2009

The process of notifying authors and publishers about the Google Book Search Settlement has begun. The court-approved Notice, which summarizes the settlement, important terms, the claims process and key dates, is available at: http://www.googlebooksettlement.com/notice.html.

Rightsholders may now claim their works at:
http://www.googlebooksettlement.com.

For more on this deal, see the discussion with Pat Schroeder, below. Google and publishers are working together now. And the business challenges of the digital revolution are being worked our...

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Monday, December 29, 2008

Interview with Pat Schroeder, President of The Association of American Publishers

To continue exploring intellectual property issues: I was very pleased to talk with Pat Schroeder, President of the Association of American Publishers.

December 17th, 2008

SG: Are you pleased that the PRO IP Act has been signed?

PS: I am. I think that it gives intellectual property a lot more visibility - in any administration. One of the things that you’ve seen through this whole stimulus and bailout discussion going on is that everybody is so focused on manufacturing and old world issues. But when you really look at where America competes the best, and where so much of our economy is, it’s with intellectual property. We’re still looking at the world through 19th century eyes - and that just isn’t gonna work.

It’s because of how the government keeps it statistics. For example, in Washington DC, the Washington Post is seen as a manufacturing entity – which it isn’t. It’s a content and IP industry. They don’t own paper mills, and they don’t own printing presses, and yet so many people think publishing equals printing.

SC: Right… they’re using the old SIC [Standard Industrial Classification] Codes.

PS: Exactly. Hopefully, this new IP person will be able to intervene in a lot of negotiations and remind people how important IP is to our economy. That’s where the bulk of white-collar jobs are that are left in this economy.

SC: Does the Act give the user a fair shake? Can we expect that the Intellectual Property Enforcement Coordinator will consider the needs of the user?

PS: Sure. The law’s the same – it doesn’t change the law. It just says that you can’t go around telling people “Buy this equipment because you can copy everything that’s out there without dealing with the rights holder.”

SC: But he can have no effect on international issues, on international pirating – is that right?

PS: Well, the US is a big player in all of those international organizations. We’re one of the biggest funders of the WTO because they put a tax on copyrights here, and they go to fund it. We have more files here than anywhere else because we’ve got a very efficient system. And it doesn’t cost as much as the UK or the EU does to file. So our voice certainly has some influence.

SC: To talk about orphan works… Would you like to see the Shawn Bentley Act [Shawn Bentley Orphan Works Act of 2008] passed next year?

PS: Well, we were pushing very hard to get one this year, actually… We’ve been working with the libraries and everybody to get a good Orphan Works Bill out there. We’re very disappointed it didn’t get through, but we’ll keep working on it because we think it is very critical.

SC: A lot of the controversy has been around the term “diligent effort”. Will that effort be too expensive for the potential use?

PS: No, I don’t think so. There will be a few places that people can go and look - there’s the CCC [Copyright Clearance Center], and our registry under Google. I think that’s gonna be considered diligent. It’s not like you’re supposed to look under bushel baskets and things. This’ll be interpreted by courts, but, you know, every piece of legislation has language like that. You can’t say “The search must include the following.” "Diligent" means what a reasonable person thinks you would do. It’s very standard language.

SC: You mentioned the book registry. That resulted from the Google book search copyright suit. How’s that coming along? Has the registry begun?

PS: It’s in the formation stages. It needs to be up and running - hopefully - this summer, when - hopefully - the court approves the final settlement. At that point, it will have the job of identifying the rights holders and making sure they get what’s due to them – then, on a going forward basis, managing this whole project.

Now, the good thing that many people don’t understand about the registry is that it will be available to anyone else who wants to do any kind of a project. This is not a Google-specific registry. It will be run by the Author’s Guild and AAP [Association of American Publishers], indirectly. We will appoint people on it. It‘ll be independent of us, but it will be half authors and half publishers. They will be authorized to cut deals for rights holders with anybody that wants to come in. It will be a marvelous place - a central location where people can find out who they should be dealing with. It’ll be as automated as possible, as easy, as few clicks – all those good things. We plan to make it state of the art.

Most of our publishers are very efficient in doing it, but there’s always somebody who’s keeping their stuff in a shoe box, still. And of course, whenever you appear in Congress or a court, someone pulls that example - and the whole group is tarnished. Well, this is gonna take care of that.

SC: These are tasks that were done previously by the LOC Copyright Department and organizations like Copyright Clearance Center.

PS: Right… and they will still be around. Rights holders will have multiple options as to where to go, I guess. We’ll see how that all shapes out.

SC: You know, the press makes it sound like everyone was happy with that settlement. Is that true?

PS: Well, I think so. I think it was the biggest book deal in America. I come from a state where you’ve got lots and lots of little towns. The fact that every single library in those little towns is gonna get a free portal to over seven million books at Stanford, University of California and University of Michigan is pretty phenomenal. It’s just phenomenal! It’s a real feather in the cap of the rights holders and Google. They all agreed “Okay, we would like to make some money on these books, but we want to also make sure there’s at least on place everywhere that’s considered a public library where people can go and get this.”

SC: As I understand it, Google paid a sizable sum to the plaintiffs – is that right?

PS: Rights holders who have copyright – obviously not the public domain, that’s not a problem – will get sixty dollars for the wrongful act of copying a book without permission. Then the rights holder has the right to either pull their works out of this corpus or leave them in the corpus.

And then the rights holder has the option to do several things. If somebody wants to download some book that’s out-of-print and print it out, they can say “Anybody can do that for ten dollars” - and then the registry can collect that money and give it to them. Or they can say “No, nobody can do that.” Or they can say “We want fifteen dollars.” Or they can say “The registry can set the price. I don’t wanna get into it.” Whatever…

The other thing they can do is to leave it in for licensing agreements. They will get paid a percentage of usage under the licensing – however that gets worked out by the registry.

SC: So now Google and the publishers will be working together.

PS: They will be working together. The rights holders will be able to make money on books that have been out-of-print and they aren’t making any money on now.

And let’s not forget we’re all users. People never think we think of the users but we do. There will not be a person in America near a public library that won’t have free access to this entire body of work. I think that’s a very nicely balanced formula. We’ve really tried very hard to say “What is reasonable? What is fair? What is balanced?”

Of course, there will be people saying “Well, one terminal’s not enough,” and other people saying “Well, everything should be free!” But the copyright law does say rights holders have some rights until their copyright term is up. So to me, this is balanced. This is fair.

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Tuesday, December 23, 2008

Interview with Keith Kupferschmid, SIIA

To initiate a discussion of intellectual property, let's consider this interview with one of the industry leaders.

Steve Greechie’s Interview with Keith Kupferschmid
Senior Vice President, Intellectual Property Policy & Enforcement
Software & Information Industry Association
December 17th, 2008



SG: Are you pleased that the PRO IP Act [The Prioritizing Resources and Organization for Intellectual Property Act of 2008] has been signed?

KK: Absolutely. We’re very supportive of the bill, which is now law. The software and information industry has a tremendous amount of piracy problems, and we’re hopeful that this bill - because it provides for more resources, more money, plus an Intellectual Property Enforcement Coordinator position, will actually help to improve the level of enforcement and help us combat piracy both domestically and abroad. And so we were very happy to see that it has been enacted.

SG: Do you think that it’s fair to the user? Can we trust that the Intellectual Property Enforcement Coordinator will consider the rights of the user? It is after all, the PRO IP Act.

KK: That’s the one thing that people have to realize with this bill. That may be a concern in many other pieces of legislation, but in this bill we’re talking about pursuing individuals who are pirating copyrighted work. There’s no fair use going on here. These aren’t libraries or archives, or anything like that. These are people who are stealing movies, music, software, other things, in order to make money, or to destroy the market for a particular industry, or something of that nature. These are individuals that make it difficult for the libraries and the archives and others users who might want to make fair use of copyrighted work. There shouldn’t be any sympathy toward this type of individual. This bill goes after egregious offenders – software pirates, movie pirates, music pirates… This is not in any way going to affect anyone who’s got a legitimate defense under the copyright law at all.

SG: Is the World Trade Organization being responsive to the crisis in IP?

KK: Certainly, in way… You know the United States has brought a dispute against China for intellectual property, and there was a recent decision in that case. It hasn’t been published - I don’t think it gets published until January.

There is a dispute process that the WTO has. So when there is a country like China that is not effectively protecting the copyrights of American citizens or American companies, the United States has the ability to bring that to the WTO’s attention and raise a dispute. So far, that system seems to be working fairly well.

There are standards set up in the WTO TRIPS Agreement - The Trade-Related Aspects of Intellectual Property Rights Agreement. That certainly gives an avenue of redress to US companies and US copyright owners.

SG: Concerning the Orphan Works legislation [The Shawn Bentley Orphan Works Act of 2008]: it wasn’t passed this year. Would you like to see the Orphan Works legislation passed next year? Does that have a real effect on software producers?

KK: It does to an extent. Remember, we not only represent software companies but content companies as well. These companies are not only copyright owners, they’re copyright users. They use copyrighted materials. When one of our content companies creates a book or an article, there’ll be photos that somebody else owns the copyright to. The software companies will hire somebody to create some code, or they’ll license code from someone else. So they’re users as well as owners. And so the Orphan Works Bill is an important piece of legislation that we would like to see get passed. We came very close to getting it passed in the last Congress. We remain hopeful.

SIIA comes at this from a very moderate position, because we do represent both users and owners, and we recognize that the orphan works problem is a problem that needs to be addressed. At the same time, it needs to be addressed in a way that doesn’t somehow create some kind of loophole for people who would otherwise pirate software or content. So getting the standard correct will be very, very important, and that’s really what took time - quite honestly, a little more time than we had at the end of the session.

SG: Do you think that the Shawn Bentley Act will be passed next year?

KK: There’ll be some bill on orphan works, certainly, that will get enacted I think, in the next congressional session. Whether it’s titled that, or whether it looks like that bill, remains to be seen at this point.

SG: The objection people had to the Shawn Bentley Act was the phrase "diligent effort" that users were expected to make. Is that too vague? Or it that gonna be too expensive for the user?

KK: Well, that’s sort of where the push-and-pull comes along. The copyright owner community wants to make sure that the diligent search standard is sufficiently high so that you only get legitimate users - people who are really looking for the copyright owner. When they find the copyright owner, if they do, they’ll license the work from them - as opposed to somebody who might want to pirate some movies and not really conduct any kind of substantial search whatsoever. Then if they’re sued, they’ll say “Oh, we were using this as an orphan work."

The idea is for that standard, that reasonably diligent search standard, is to really be the heart and soul of the bill - to make sure that it protects copyright owners and isn’t so onerous on copyright users that it becomes unworkable. It needs to be a very balanced approach.

And like I said, I think we’ve gotten there. The difficulty is that what is a reasonable search for movies might be very different from what’s a reasonable search for a photo or for a book. That’s very hard to account for in legislation. You can’t go into a great level of detail in the law itself and I think that’s what got some copyright owners concerned. Some are users concerned that perhaps the standard might be too high.

So, ultimately, as we say around Washington DC, if you come out and you’ve got a bill that really nobody likes, well, maybe that’s the best bill – maybe you’ve really reached a compromise.

SG: Keith, finally, to speak more generally, how do you respond to those software developers who say that greater IP protection is gonna dampen the development of software because people are worried about infringing on copyright?

KK: I’m not a big believer or supporter of that. The copyright law has been around for over 200 years now in the United States and longer elsewhere, and there’s constantly this balancing that needs to take place – balancing the interests of users with the rights of copyright owners. That’s something continuously that we’re gonna have to make sure is balanced, because if it tilts in either direction, then it’s not working as efficiently and as effectively as it should be.

The Orphan Works Act is a great example of that. Where we see a problem, we really do need to address it. The flip side, the PRO IP Bill, is also an example of that. Where we see rampant piracy, well, we have to address that.

So you can see sort of that little see-saw. At some point you’ve got to tweak things a little bit in the users’ favor and sometimes you’ve got to tweak it a little bit in the owners’ favor. That’s something that constantly has to happen throughout the years - to take a look at the copyright law and make sure it is balanced.

As a general matter, I think that it is a pretty balanced law and a pretty effective law. The thing you see happening these days is that, unlike ten or fifteen years ago, everyone can be a publisher. You can just create your own website. Any individual has the ability to be a publisher - and also to pirate, unfortunately. That has changed the dynamic a little bit.

Since it’s so easy to copy copyrighted materials and so easy to distribute those copyrighted materials, people generally think that they should be allowed to do it. But the law doesn’t work that way. Just because the technology is available for people to do that doesn’t mean that they should do it or that they should be allowed to do it under the law.

SG: That’s the response of the government, the response of the law. What can we expect from the business community or from the development community to respond to the situation?

KK: Quite honestly, any business that doesn’t listen to its customers is not gonna be in business very long. A software company or a content company, or music and movies - if they are ignoring what the customers are saying with regard to how they want products or services delivered, those companies are not gonna be in business very long.

And you see great examples of that. New click-through licenses are very commonplace, and this software-as-a-service business model is moving forward quite a bit, where you wouldn’t go and buy like a hard copy; you would just go on to a particular internet site and purchase your software that way.

Just like the law is something that needs to be continually balanced, the business models need to be considered as well.

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Sunday, December 14, 2008

ASBPE: Taking the Pulse of B2B Media

On December 12th, the American Society of Business Publications Editors presented a very substantive panel discussion in New York. The title: Taking the Pulse of B2B Media.

Sam Friedman (editor-in-chief of Summit Business Media’s National Underwriter) acted as moderator. “Today we’re here to take the pulse of the B2B media,” he told us. “The pulse is a little faint right now.”

Mike Chapman (editor of Nielsen Business Media’s Adweek) discussed advertising spending levels. I don’t need to remind the reader of the trends in this area. Chapman’s advice was to respond through: innovation; he cited podcasts, webcasts and live events as examples of our options.

Tony Silber (general manager of the publishing group at Red 7 Media) addressed the industry’s “serious structural, systemic problems”. He advised us to sustain our print activities while assuming new online responsibilities He acknowledged that it’s difficult to do both at once. “You’ll always be one step behind the online-only pure players”, he told publishers with a print history.

He also noted the debt that debt the big legacy publishers have on their balance sheets will prevent them from adopting this two-pronged strategy. In the panel’s most striking statements, he predicted that these publishers will split up within five years, and that we can expect to start seeing bankruptcies within six-to-eight weeks.

He added that the editorial message remains crucial. Now, this raises an interesting question. The perceived value of content does not favor the online-only pure players. The legacy publishers still have an enormous advantage here - what only mag can rival Business Week in terms of rep? Moreover, legacy publishers enjoy economies of scale and a product line buffering losses. Do these advantages outweigh the maneuverability of the pure players?

Two experts spoke re editorial:

Naomi Reiter (editor of min’s b2b) reminded us that writing for print is different from writing for a digital outlet. We should assume that our outlet will go digital in time, and writers shouldn’t write exclusively for one outlet form.

Publishers and editors work cooperatively, we were advised, in developing new products, such as databases or white papers.

David Katz (deputy editor of CFO.com) commented on how badly the financial crisis has been covered by the press. Here’s a chance for B2B to make a contribution, he exhorted us, industry by industry – “a chance to do some public good”. He received appreciative applause.

There must be “an absolute wall between sales and editorial,” he told us, repeating a theme that ASBPE frequently touches, much to their credit.

In closing comments, Friedman repeated a question that Katz had raised: “Where will federal bail-out money come from?

He continues with vocational advice. “Brand yourself,” he told us. “We believe in the star system in journalism.” He made the important point that as industry experts, we have no agenda.

I’ve noticed before that ASBPE both assumes and encourages the highest ethical principles from editors.

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Interview with Dr. James Billington, Librarian of Congress

The fourth in a series of interviews with the leading professionals in the library community. In October, I was privileged to meet Dr. Billington.

Steve Greechie's Interview with Dr. James Billington
Librarian of Congress
October 17th, 2008



SG: Sir, there are so many different areas that the library works in. What are your priorities?

JB: Well, my first priority is to make sure that the essential, unchanging historical mission of the Library of Congress is sustained amidst all the changes in the world - to sustain the values of the book culture in a totally new, digital culture. We’re rushing head-long into it without much real analytic criticism of what’s happening. You have to do new things to preserve old values. America’s the only world civilization whose institutions were formed in the age of print, the culture of the book. Without that, it’s inconceivable that the kind of democracy that’s been established here could have occurred.

We have a combination rare in human history – that is to say, governing institutions, one of whose main purposes is to sustain and support non-governmental creativity. Most governments and libraries basically support what governments want to keep for their own purposes, and that leads to much greater selectivity. Most governments preserve what governments produce, and often selectively push out of the record what previous governments have done, or confiscate what others have done in the society.

I had to do about four or five years of management at the beginning, and since then my priority has been mainly to invade the audio-visual and digital world with things that will get people reading again. There’s a moral reason – that is, what’s happening is threatening the cultural values. It’s shortening the attention span. It’s destroying the English language, largely. The basic language of the internet is totally destructive to a sentence. It’s a series of emotional outpourings.

The Continental Congress first met physically in a library in 1774 and debated the invention of the United States. This grew out of a mixture of experience and reading - and dialogue that was conducted in a very civilized, disciplined form of English. English is one of the most expansive languages in the world, and yet at the same time it some of the internal disciplines of much more limited languages.

Serving Congress is our first priority. Most people don’t realize it but we run the biggest think tank in the world; the Congressional Resource Service works exclusively with Congress. But we’re moving more and more into education. Our whole website is basically for K-through-12. The reason is that kids are moving into set patterns much earlier. They’re seeing more of the audio-visual – boom boxes, television sets... Computers are creating a different culture. It has all kinds of consequences. We’re trying to deal with it through our website, developing interactivity rather than sustaining the passivity of television. It has primary documents with the commentary of professional curators.

When I’m asked what my priority is, I can answer in one French word: survivre – to survive. It doesn’t mean just to keep materials here in a museum of the book, which it’s in danger of becoming. It means to sustain the kind of energy and focus and tolerance and decency that’s achieved only with great difficulty in the normal dynamics of human history.

Preservation is one of the most interesting things we do around here. There’s a paradox in preservation: the things that are most perishable are the most recent. There’s almost a reverse correlation. The stone steles of China, cuneiform inscriptions of early Sumeria and Central Asia – third millennium BC stuff – that’ll live on another couple of millennia. Animal skin, medieval parchment and vellum – things like this – last a hell of a lot longer than paper of any kind, and old paper, papyrus, lasts longer than early modern paper, which lasts a hell of a lot longer than anything since 1850. It’s this wood pulp base that disintegrates.

So, surviving the culture means invading where monsters are rising. Shortened attention span, isolating, the illusion get you can get everything you need for human life by looking in the green light of a computer all by yourself – it’s destructive.

SG: I can see how your background as a scholar informs your work.

JB: Well, yeah… I see this as a form of service to scholarship just as the idea of getting a union catalogue was an enormous service to scholarship at the end of the 19th century.

We talk about librarians now as knowledge navigators. They have to know something about the subject that they’re dealing with – What is the substance of it? What are the ideas? What are the techniques? Then they have to know what is worth saving or recommending to people on the internet. They have to be able to do both – to add without subtracting. Because of the enormous unfiltered quality of what’s on the internet, they have to know where the good stuff is. They have to be able to make judgments that you can’t possibly make on the basis a machine.

In the scholarship of the future, there’ll be a new kind of librarian, a knowledge navigator, who’s going to be able to mediate to whatever the community is. They’ll play a much bigger role in scholarship because otherwise people will end up using inaccurate, unverified stuff. They’ll perpetuate what you’re already seeing in non-fiction books – they’re written to either claim the credit for something good that happened, or prove that somebody else is responsible for something bad that happened. They don’t give you any perspective. They just kick people who are down and over-elevate, with insufferable hubris, the people who are up.

SG: So the screening needs to be a human screening.

JB: Human screening… My favorite image of a library is the only physical library building that survives from classical antiquity – the library building at Ephesus. It has four columns. They’re women, and they couldn’t figure out what goddesses these were. But they weren’t goddesses – they were virtues. And the virtues are – I hope I can remember them now – judgment, character, wisdom and specialized knowledge. Now, that’s the best definition of a librarian that I can find. You don’t get judgment from just a flood of statistics – raw, unverified information. There’s a certain character that is willing to calibrate what’s likely, what isn’t, and so forth… The dynamic is to move from information to knowledge to wisdom. Wisdom is a practical thing – it’s a practical judgment. We need to create a much better understanding of what librarians are, what they’re doing and what they have to do.

SG: Does that mean that the industry needs to become more specialized, and librarians need to be trained in more specialized ways?

JB: Well, yes but they need general education as well, because every library is much more inclusive than the narrow problems that a client brings to be answered. It’s the test of the library as such, and of the librarian as its master or mistress, to broaden the client’s range of vision. And they need specialized knowledge because they need to be the intermediary between the confusing world of information and the particular community they serve.

Now, special libraries are very interesting. Special libraries are for business or for some Chamber of Commerce – or something like that. They have a special audience and they have to mediate, but they have to be not just passive transmitters of information. They have to help guide somebody into a better use of that knowledge than they would make if the library didn’t exist. Because there is so much specialized knowledge, there’s a need for a parallel world of specialized people who can help guide them through. You do a Google search on anything important and you get hundreds of thousands of entries. You can’t tell anything by – you know – the identification, the URL’s. And the names from websites don’t tell you anything – The Future of Human Thought or something.

SG: And there’s so much dependency on Google.

JB: Too much dependency. What you need is people who have judgment and character and enough familiarity with the field to be able to direct people to the right source.

SG: In terms of the international library community… Between digitalization and inter-library loan, how far are we from a universal library – where everything is more or less accessible to everyone?

JB: Well, we’re pretty far away from that. We’re further away than people are inclined to think. It depends… You might break down the whole copyright protection world. There are a lot of challenges to it, and people who want to challenge it can afford better lawyers than the people who are trying to maintain it.

People better know where to find digitization on demand from somewhere else, but inter-library loan and digitization on demand aren’t quite a universal library. I think what people usually mean by a universal library is that everything’s going to be digitized. All past books will be digitized, and in the future any book that comes out will also be in digital form. But I don’t think everything really should be digitized.

There are a whole bunch of practical arguments why that isn’t likely to happen, but there’s also a moral argument why it shouldn’t happen. If there’s anything important about libraries, it’s preserving the world’s memory and the world’s knowledge and the world’s creativity for the future. It’s a basis of any concept of human progress. We’re moving from the analogue world, where the implement itself tells you something without intervention, into a dependence on networks which can be shattered as well as created, and on media which is more perishable than any analogue version. A lot of zero’s and one’s are useless without the recovery system. Early digitized stuff can’t be read now except in a few places in the world. A lot of it is unreadable because of Moore’s Law and the planned obsolescence which is the basis of this whole industry.

I’m just amazed at the naiveté of so many people thinking “Well, everything’s going to be digitized.” I mean, we’re digitizing more than probably anybody in the library world, but we don’t have the faintest illusion that everything around here should be digitized. How many people want to know about 19th century French dentistry? We have books on the subject.

SG: So your initiative with the National Libraries of Russia and the Library at Alexandria don’t presume that as a goal…. to start working toward a universal digitization. What does it seek?

JB: We are simply multiplying what we done in America in the American Memory Program, which is made up of primary documents with authoritative commentary by curators or scholars who do not try to use it as sort of a jumping off point. Cultural, historical documents are there – treaties or letters, diaries, pamphlets, maps, movies, posters – everything. It’s historically correct rather than it’s politically correct. It’s just the story as told by documents and the people who made up the history. It represents countries coming together not to propagandize their country but – or at least not to propagandize the policies of the country – but to propagandize the culture. They can help overcome the digital divide. We’re gonna track this next April in Paris, at the world meeting of UNESCO, who more or less endorsed this project. Six or seven other principle partners have created this, national libraries of other big countries – and we hope to have something from the other 192 members of UNESCO online so that everyone knows this is open to everybody.

But that’s not a universal library. It is a record for younger people around the world. Most of the places where there’s trouble in the world there’s a younger generation that’s being professionally trained in trouble. They don’t have anything to feel proud of – that’s one of the reasons they hate us. It’s not just that they don’t like American policies in the Iraq or wherever they may be, but they also feel that cultural imperialism is even more invasive and terrible – all these soap operas and all the violence and all this sex and stuff on television… all the high commercialism on the internet… It’s disorienting to them even as they’re fascinated by it. They want the goods – the jeans or the Coca Cola that are being sold – but they have love-hate feelings toward the change it’s bringing. The idea is for us as the leaders to claim a little leadership in the moral and cultural sphere - now that we’re no longer doing so well [laughing] in the economic sphere.

SG: Finally, Sir, if I could ask one more question. You’ve talked about material that’s not governmental, and material that’s not influenced by politics. But the fact is that this a governmental library. Is it ever difficult for you to pursue these goals and be within the government?

JB: Surprisingly, not as difficult as you’d think. I mean… It’s difficult getting a big bureaucracy that has both features of a government agency, which it is, and the features of an academic institution, which it is. It’s difficult for me technically. I’m the most restricted single member of the US government because I have all the personal restrictions of a member of Congress, which I’m not, and all the restrictions of an Executive Branch agency, which I’m not. The Library is so big and complex, and because it’s perceived as doing good things, I have much less political interference in making decisions than the ordinary president of a university does. The university constantly is figuring out how they can get more government grants and the same time keep promoting professors who think the government is, at best, incompetent and, at worst, dreadful. My friends at universities say “Oh, it must be awful to have your first business to serve the Congress!” Well, what do we serve the Congress with? We serve the Congress by objectively mediating. The Congressional Research Service has a cult of objectivity because they can’t make the political judgments. They are providing information to the Congress and because the Congress is diverse, they have to play it straight. The support for this on a bipartisan, bicameral basis over the years has been pretty constant. If people don’t like what we do, if they want to talk to the head man, they can call up.

SG: That’s very encouraging! I’m sure that…

JB: Yeah - people should give Congress credit for sustaining the Library. It is not just a written record of American creativity. Three-fifths of the books are in foreign languages. It’s the largest Arabic language library in the world, almost certainly, one of, if not the largest Spanish library. These are enormous collections. And that’s very American. This place just keeps adding languages and adding material - but we don’t throw away the old. It’s a blast being part of this!

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